
This portrait of Michael Cole is the most photo realistic painting I have done in my most recent series of paintings. Though Photo Realism was not my intension, with this painting it just seemed to happen. I think that it is attributed to the environment around the figure rather than the figure itself. The 2 paintings previous to this painting, patterns and pure hues flattened the space and distracted the eye. In this painting (with the exception of the checker board floor), the figure is surrounded by a limited palette of neutral grays. This painting depicts the artist, Michael, painting a portrait from life of me.